Spiderman

Animate the subject from the input image exactly as they appear — same face, cap, body type, clothing, and the same room, furniture, wall color, and lighting. Camera stays locked in the input image’s framing: a static low-angle phone shot from floor level, no camera movement, no cuts.

0–1s: The subject stands naturally, then drops into a fast crouch, arms swinging back, weight loading through the legs.

1–2s: Explosive vertical leap straight up, one arm punching overhead toward the ceiling, hair and clothing lifting with the upward acceleration.

2–3s: The raised hand makes contact and presses flat against the ceiling, fingers splayed; upward momentum stops and the body settles into a dead hang from that single hand, legs straight and relaxed below, feet well above the floor.

3–4.5s: Hanging one-handed, the body swings gently like a pendulum, free arm loose at the side.

4.5–6s: The subject pulls their knees and feet upward toward the ceiling, flipping backward. The hand releases and the subject flips backward, rotating through a clean backflip while falling toward the floor.

9–10s: Feet land on the floor, knees bend to absorb the impact, the body rises back to a standing posture facing the camera.

Style: raw handheld smartphone footage, natural indoor lighting, motion blur on fast limbs, real weight and gravity, continuous single take. Photorealistic, consistent identity and outfit throughout.